The seeds of inspiration can sprout in the most unexpected places. For Urška Djukić, the writer-director behind Slovenia's Oscar hopeful, "Little Trouble Girls," that place was a Catholic girls' choir. Imagine the scene: a hushed church, sunlight streaming through stained glass, and then, the pure, unadulterated sound of young voices raised in song. Djukić wasn't just moved; she was compelled.
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Speaking at Deadline’s Contenders Films: International panel, Djukić explained the profound effect the performance had on her. "It was an amazing experience for me, and I felt very touched by it, and I didn’t really understand why," she confessed. It wasn't just the musicality, but something deeper, something about the raw, unbridled nature of these young women's voices, "this awakening of these young girls’ voices that were fully open."
The director’s insights are fascinating, especially when considering the historical context. She pointed to the contrast between the freedom of these voices and the long history of female repression. "Throughout history, women’s voices were so repressed," she noted. Seeing the priests in the front row, "really enjoying the performance," added another layer of complexity – "these men in celibacy versus hearing these voices so open." This potent imagery became the catalyst for "Little Trouble Girls," a film exploring Lucia's coming-of-age, her sexuality, and the questioning of deeply held beliefs.
"Little Trouble Girls," which premiered at the Berlin Film Festival, isn't just a story about growing up; it's a story about finding your voice, literally and figuratively. The film follows Lucia, played by Sofija Ostan, as she grapples with unfamiliar feelings and challenges the status quo within the choir, disrupting its carefully cultivated harmony. The premise itself sounds beautifully complex, a powerful narrative carried by the voices of young women.
Interestingly, Ostan admitted she wasn't a seasoned singer before taking on the role. "I wouldn’t consider myself to be a good singer, even now," she revealed. However, the process of learning to use her body to produce sound mirrored Lucia's own journey of self-discovery. "Singing was a big part of this role because Lucia also finds her safe space when singing and finds her voice, and it helps open her up," Ostan explained. Kino Lorber is set to release "Little Trouble Girls" in the U.S., and honestly, I'm eager to hear the final product and see how Djukić translates this initial spark of inspiration to the big screen. It sounds like a film with depth and resonance, and one that could really stick with you.
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